Musician-turned-potter, Akira Satake fully embraces the notion that beauty can be imperfect; his wood-fired pieces are a collaboration with fire, smoke, ash, clay and heat. In our visit with Akira at his home studio, kiln site and River Arts District gallery, he explains how he finds inspiration in the tension of the unexpected.
The Michigan woodturner Greg Gallegos (Natural Selection Studios) is best known for using only reclaimed wood to make pieces that are fully functional to the sublime.
Third-generation woodworker Perry Shaw treks daily through the dense, well-trod forests of the Pacific Northwest, often shadowed by his two sons or his dog. As the afternoon sun trickles through the canopy, Shaw scans for fallen trees, craggy and marked by blight.
Depending on the day, Tom Henscheid is a carpenter, welder, sculptor, contractor, furniture-maker, restoration specialist, cabinet-maker, teacher, or inventor. On most days, he is a carver of spoons.
Abigail Schama’s pieces do not ask for permission to be. They are not demure, pretty little things; they are not slick or smooth, or symmetrical in their curves. They are craggy and worn, gestural and uneven, crusted with a salty glaze, seemingly unearthed after centuries slumbering in the watery depths of a Cretan ruin.
